Just some pieces of metal, I know, but I can’t help finding them very moving, those two, lying there. Just as the other guy, seemingly disappearing into thin air. Or that Mr. Big, a tiny bit too tall for the hallway he finds himself in. You think you know all the tricks Antony Gormley has up his sleeve, but I can’t help it: being in the presence of his works of art always touches me. It’s one of at least three interesting sculpture shows in galleries in Brussels, right now.
Archive for the contemporary art Category
Metal giants, ceramic gods and other strange creatures: Antony Gormley, Johan Creten and Folkert de Jong in BrusselsPosted in art, contemporary art, sculpture on March 29, 2017 by Utopia Parkway
What would I do? It’s a question I sometimes ask myself, playfully, visiting exhibitions. What if I would be an artist? What kind of work would I make? What would it look like? Probably something like this, I thought recently, looking at Taryn Simon‘s striking photographs of floral bouquets at Almine Rech (Brussels, through November 5). Something eerily beautiful and puzzling at the same time. Work for which a lot of research and patience is needed and that contains references to stuff that matters to us in this world, today.
That first view was rather disconcerting. A guy was walking away carrying a canvas. Other paintings stood on the floor, rather randomly, backs against the wall. Did I arrive too late? Was the exhibition already over? But then the guy came back and introduced himself. “I will be your host today. If you have any questions, don’t hesitate.” Euhm, yes: the paintings? “I’m moving them around”, he said, smilingly. “It’s all part of the exhibition. If you’re unable to locate a specific work of art: just ask.” And off he went. Suddenly I noticed that one of the other visitors had begun to move rather strangely, in the hall of that ever so grand Villa Empain (Brussels). You’re in for a few surprises, if you visit Répétition uninformed (through August 21).
A picture of a painting that was a picture: “Photorealism – 50 years of hyperrealistic painting” at Musée d’Ixelles (Brussels)Posted in art, contemporary art, painting on July 31, 2016 by Utopia Parkway
Why would you want to take a picture of a painting that is so perfect you’d swear it is a picture? Funny even, knowing that the painting tries to be the exact copy of a picture. So: a picture of a painting that was a picture. Seeing the cameras and smartphones made me smile, but it made me realize as well: it must be the reason why so many people were visiting Photorealism – 50 years of hyperrealistic painting (Musée d’Ixelles, Brussels, through September 25) on that hot Sunday afternoon. Those photorealism painters trigger the same sense of wonder as magicians do. How the hell do they pull it off?
About a strange ad and a visit to the bathroom: Joseph Kosuth and Robert Morris recreate the past at Jan Mot (Brussels)Posted in conceptual art, contemporary art on July 21, 2016 by Utopia Parkway
Don’t you hate it when you can’t find the answer to a riddle? Luckily I had forgotten about the one that had kept my mind busy for a day or so. Until I entered into Jan Mot gallery (Brussels), weeks later. There it was, on the table, that newspaper, opened on the same page that had caught my attention June 3rd. Suddenly I remembered that peculiar ad I had been staring at, that morning, sipping my coffee, not understanding what it was trying to tell me. It was part of an exhibition? Yes, and probably one of the strangest recent shows in Brussels too (through July 23; so: last days!).
Much talked about exhibitions. You know how it goes: you’ve read all the articles and the interviews, you’ve seen the images and you wonder: should I really bother to go? Because you’re almost sure you’ve seen everything there is so see. Sort of what my feeling was about Donogoo Tonka, the successful solo exhibition by the adored Belgian visual artist Rinus Van de Velde at S.M.A.K. (through June 5). But then I happened to be in Ghent, and I decided to drop by.
So: 25.628 visitors for Art Brussels 2016 – previous editions: 30.836 (2015) and 28.829 (2014) – and 9.000 visitors for that first edition of Independent Brussels (they had hoped for 10.000). But it’s not about those numbers, isn’t it? Other numbers are of a greater importance: did the participating galleries sell enough works of art? While the big question remains – Is Brussels big enough for two art fairs? – one thing is certain: it’s just too much art to take in, in just a couple of days. I visited both fairs (plus that much smaller Poppositions) and read all the press. Here are a few notes, quotes, pics and conclusions, just as the art world is heading for New York, for Frieze.